The international box office tally through Sunday is $436.8M after a $67.7M offshore frame (-47%).
Paramount/Skydance’s Mission: Impossible – The Final Reckoning, meanwhile, has topped $450M worldwide with $450.4M through today.
The offshore hold was also -47%, with another $40.6M contributing to the running $301.2M international box office.
The Ana de Armas-starrer, which is largely funded from foreign sales, came in below pre-weekend projections with $26M in 82 offshore markets for a $51M global debut.
Also in holdover play, Sony’s Karate Kid: Legends added $10M in 57 overseas markets for a $38.6M offshore cume and $74M global to date.
The latest news: Disney’s Lilo and Stitch continued to do well in its third weekend, bringing the global cume to $772.06M as it approaches $800M WW in the days ahead. Following an offshore frame of $67.7M (-47 percent), the international box office total through Sunday is $436.8M.
Meanwhile, Paramount/Skydance’s Mission: Impossible – The Final Reckoning has reached $450M globally as of today, with $450.4M. The offshore hold contributed an additional $40.6M to the $301.2M international box office, which was -47 percent.
Before delving deeper into the aforementioned and other holdover plays, Lionsgate’s John Wick spinoff Ballerina was the session’s big new arrival. The Ana de Armas film, which is mostly financed by overseas sales, debuted with $26 million in 82 offshore markets, falling short of pre-weekend estimates of $51 million worldwide. The Len Wiseman-directed action movie’s top foreign openings are China ($3M), the UK ($2.5M), and Mexico ($1.9M); in each of those markets, the movie was the No. One fresh opener. In the United Kingdom and Latin America, Lionsgate distributes itself.
Ballerina opens Sicily’s Taormina Film Festival on Tuesday and will be released in Italy and Japan in the coming weeks. Read Anthony’s in-depth analysis of Ballerina here.
Returning to Lilo & Stitch, the No. It’s still the No. 2 studio release of the year abroad. One non-local film in every Latin American country and every material market in Europe (with the exception of Finland and Norway).
Japan joined the party last and was a new market this session. The door opened no. 1 there with $4M, which is only 2% less than A Minecraft Movie and represents the third-highest opening for a studio title in 2025 to date. In France, Italy, Spain, Brazil, Mexico, and other countries, it is the highest-grossing movie of the year.
Germany ($23.7M), France ($30.4M), Brazil ($28.2M), Mexico ($56.8M), and the United Kingdom ($42.2M) are the top five as of right now.
China led the 66 markets for the Tom Cruise film this weekend, where it was No. One for the second consecutive frame. With Maoyan projecting a $62M finish, the total is currently $47.5M. Without a doubt, it is the most successful Hollywood film of the year thus far.
The UK ($27.8M), Japan ($23.4M), Korea ($20.5M), and France ($17.7M) complete the current Top 5.
M:I 8 has made $69 Point 1 million worldwide, which is a franchise-high 15 Point 3 percent of the total amount made worldwide for the Filmed For Imax film. The format’s international cume is $38M.
Another holdover game is Sony’s Karate Kid: Legends, which has made $10M in 57 foreign markets, for a total of $38.6M overseas and $74M worldwide to date. In August, France, Japan, and Spain open.
Additionally, New Line/Warner Bros.’ Final Destination Bloodlines saw a 47 percent decline, adding an additional $8.1M from 75 markets, resulting in an offshore cume of $133.6M and a $257.2M global take.
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