The man who Changed Rock ’n’ Roll died at the age of 86

The New York Times

Duane Eddy, who broke new ground in pop music in the 1950s with a reverberant, staccato style of guitar playing that became known as twang, died on Tuesday in Franklin, Tenn.
“For me,” Mr. Eddy went on, “it’s not just playing the instrument, it’s also making the record.
Most of Mr. Eddy’s albums from the late 1950s and early ’60s incorporated a version of the word “twang” in their titles.
Mr. Eddy was born on April 26, 1938, in Corning, N.Y., a small town in the south central part of the state.
In 1957, Mr. Eddy began touring as a guitarist with Dick Clark’s Caravan of Stars, and he began releasing recordings under his own name shortly afterward.
Mr. Eddy and Mr. Hazlewood parted ways over a contract dispute in late 1960, though they later reunited to work on projects.
The 1970s also saw Mr. Eddy producing albums by Phil Everly and Waylon Jennings, whose widow, Jessi Colter, was married to Mr. Eddy from 1962 to 1968.
Unlike many instrumentalists, Mr. Eddy said, he never seriously considered expanding his musical résumé to include vocals.


Duane Eddy, a guitarist known for his twang—a reverberant, staccato style of playing—died in Franklin, Tennessee, on Tuesday. Eddy made significant contributions to pop music during the 1950s. He was eighty-six years old.

According to his wife, Deed (Abbate) Eddy, cancer complications were the reason for his hospitalized death.

Dear Mr. With growling, echo-laden hits like “Rebel Rouser” and “Forty Miles of Bad Road,” Eddy sold millions of records worldwide during his heyday as a purely instrumental recording artist in the late 1950s and early 1960s. Thus, he significantly contributed to the electric guitar’s rise to prominence as the primary musical instrument in rock ‘n’ roll.

Dear Mr. Many rock guitarists, such as George Harrison, Jimi Hendrix, and Bruce Springsteen—whose soaring guitar lines on “Born to Run” honor Mr. Eddy’s powerful fretwork—were influenced by Mr. Eddy.

John Fogerty, the original lead singer and guitarist of Creedence Clearwater Revival, is cited on the Rhino Records website as saying, “Duane Eddy was the front guy, the first rock and roll guitar god.”.

Dear Mr. Eddy, who taught himself the rhythmic melodicism, developed his technique by heavily using the vibrato bar and playing the lead lines on the bass strings of his guitar. He had a good ear for pop idioms like country, jazz, and rhythm and blues, but he never studied music notation or reading.

Additionally, he was skilled at experimenting in the studio; during one session, he brought a 2,000-gallon water tank and used it to mimic the effects of an echo chamber by inserting a speaker inside.

In a 2013 interview, Mr. Dot Eddy stated, “I like experimenting with different textures on tracks in the studio, and different arrangement ideas.” Guitar Player magazine had bestowed its Legend Award upon him in 2004.

Mr. Dot Eddy continued, “It’s not just about playing the instrument; it’s about making the record for me. I suppose putting it this way would be more accurate: I don’t write or arrange songs in the traditional sense. Rather, I see it more like organizing or composing music. The thing that unites all the threads and pulls them together is my sound. “.

15 Top 40 pop hits between 1958 and 1963 were produced by the instantly identifiable Mr. Eddy thanks to his distinctive guitar style. The 1960 film of the same name, starring Dick Clark and Tuesday Weld, featured the string-sweetened song “Because They’re Young” on its soundtrack.

The lively instrumental song “Cannonball,” which peaked in the pop Top 20 in the U.S., better embodied Mr. Eddy’s gritty style of playing. s. and reached the British Top 10 in 1958. Another popular song from 1962 was “(Dance With the) Guitar Man,” which included a chorus sung by a female vocal group. The CBS television series “Have Gun— Will Travel” featured “The Ballad of Paladin,” a loping instrumental, as its theme song. “.

The majority of Mr. Eddy’s early recordings were produced and written by Lee Hazlewood, and they were published by Jamie Records, a Philadelphia-based label. His backing group, The Rebels, featured a number of members of the renowned Wrecking Crew, a West Coast studio group that included saxophonists Jim Horn and Plas Johnson, guitarist Al Casey, and keyboard and bass player Larry Knechtel.

Titles for the majority of Mr. Eddy’s albums from the late 1950s and early 1960s included some variation of the word “twang.”.

Dear Mr. On April 26, 1938, in Corning, New York, Eddy was born. You Y. , a tiny community in the state’s south central region. At five years old, he began to play the guitar. Lloyd, his father, was a bread truck driver before taking over as manager of a Safeway supermarket. Alberta Evelyn (Granger) Eddy, his mother, oversaw the house. They relocated to Tucson, Arizona. When Duane was thirteen, he moved to Phoenix, where he met Mr. Hazlewood, with whom he started a musical collaboration.

When Duane was sixteen, he received his first Gretsch guitar, built to order in the Chet Atkins model. The following year, he recorded his first tracks as half of the duo Jimmy and Duane, alongside pianist Jimmy Delbridge (who would go on to record as Jimmy Dell).

After accompanying Dick Clark’s Caravan of Stars on tour as a guitarist in 1957, Mr. Eddy started putting out records under his own name.

Hey, Mr. A disagreement over a contract caused Eddy and Mr. Hazlewood to split up in late 1960, but they later got back together to work on projects. Mr. Eddy quickly became an RCA signee.

By the middle of the 1960s, Mr. Eddy had stopped releasing hit singles, but he was still putting out instrumental albums, such as “Duane Does Dylan,” which was a compilation of Bob Dylan covers.

There was a resurgence of interest in Mr. Eddy’s work during the rockabilly revival of the following decade. Mr. Eddy produced albums for Phil Everly and Waylon Jennings in the 1970s. Waylon Jennings’ widow, Jessi Colter, was Mr. Eddy’s spouse from 1962 to 1968.

Alright, Mr. An avant-disco version of Eddy’s 1960 hit version of Henry Mancini’s “Peter Gunn,” featuring lead guitar by Mr. Eddy, was released by the British synth-pop group Art of Noise in the 1980s, introducing Eddy’s music to yet another generation of listeners. For best rock instrumental performance, it was awarded a 1987 Grammy Award.

Alright, Mr. In 1994, the year that his original hit recording of “Rebel Rouser” made its movie debut in “Forrest Gump,” Eddy was inducted into the Rock and Roll Hall of Fame. Oliver Stone’s 1994 movie “Natural Born Killers” included a song he co-wrote with Ravi Shankar called “The Trembler.”. In 2008, he was admitted to Nashville’s Musicians Hall of Fame.

Mr. Dot Eddy leaves behind his wife, Linda Jones, Chris Eddy, and Jennifer Eddy Davis, from his first marriage to Carol Puckett, and his second marriage to Ms. Colter; he also leaves behind a sister, Elaine Scarborough, five grandchildren, and nine great-grandchildren.

He never gave vocals much thought as an addition to his musical resume, unlike many instrumentalists, according to Mr. Eddy.

Speaking about the topic in 2013, he told Guitar Player about an interview he had with Conan O’Brien. In the interview, O’Brien was asked, “Duane, you’ve been in this business for many years now; what do you consider your greatest contribution to music?” To which he replied, “Not singing.”. “.

“I never thought I had a nice voice for singing,” he continued. “I used to get really frustrated over this on the guitar when I was younger. “.

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