Cineverse and Icon Events’ Terrifier threequel opened ahead of expectations for Chris McGurk’s new venture with an estimated $18.2 million from 1,988 theaters.
It also pulled in another $24 million overseas for a global haul of $148.5 million.
Until now, The Marvels held the record among comic book movies for the worst second-weekend decline at 78 percent.
Joker 2′s fall is also nearly the worst drop in history for a film opening in more than 2,000 locations.
While Terrifier 3 did decent business, a slew of other new nationwide openers — including high-profile awards contenders — struggled to find an audience.
Nonsense is a hallmark of Terrifier 3. At the domestic box office, the horror film is easily winning a weekend of curiosity and carnage, while Joker: Folie à Deux is experiencing the biggest decline of any movie and the worst decline in the history of comic book movies.
Chris McGurk’s new endeavor, Terrifier: The Threequel, from Cineverse and Icon Events, defied predictions by opening with an estimated $18.2 million from 1,988 theaters.
The Wild Robot, which is still a hit for DreamWorks Animation and Universal, is the next closest movie. The family film is expected to make an additional $13 point 4 million from 3,854 theaters this coming weekend, for a total domestic cume of $83 point 7 million. It brought in a total of $148,5 million worldwide after bringing in an additional $24 million abroad.
With an estimated gross of slightly over $7 million from 4,102 theaters in its second weekend, Todd Phillips’ Joker sequel is collapsing at a historic rate of 81 percent. At 78 percent, The Marvels was the comic book movie with the worst second-weekend decline up until this point. Joker 2 has experienced almost the worst decline in history for a movie that opens in more than 2,000 theaters.
According to rival studios, Joker 2 is expected to gross between $6 and $6+ million, placing it fourth behind Warners’s holdover Beetlejuice, which is still showing off its theatrical prowess despite being accessible for home viewing on premium VOD. After crossing the $275 million mark domestically in its sixth weekend, the Tim Burton-directed sequel is expected to earn $7.050 million from 2,408 locations (Warners has Joker at $7.055 million for the weekend domestically).
Folie à Deux also experienced a sharp decline in earnings abroad, making $22 million from 77 markets for a total of $113 million overseas and $165 million worldwide.
On the other hand, Beetlejuice Beetlejuice is a huge success for the studio, having surpassed $400 million in global ticket sales to close on Sunday with $420.3 million. $144,7 million is its total foreign value.
A number of other new nationwide openers, including well-known Oscar candidates, had trouble drawing in crowds, while Terrifier 3 did fairly well.
Just enough to make it into the top 10, Briarcliff’s portrayal of Donald Trump, The Apprentice, which Trump attempted to prevent from ever opening in theaters, opened to an estimated $1.06 million from 1,740 locations. It is always possible that it will take the place of Speak No Evil, the holdover that brought in just over $1.55 million (the final order will be decided on Monday). The anti-Trump film opened in the $3 million range, according to pre-release tracking.
The Apprentice, which debuted globally at the Cannes Film Festival and subsequently screened at Telluride, primarily operates in liberal hotspots including New York City, Los Angeles, San Francisco, Washington, D.C. along with Chicago. Despite receiving a B- CinemaScore from viewers, it has received favorable reviews.
Briarcliff, which purchased U. s. The Apprentice, which started a Kickstarter campaign to help raise money for marketing costs, had only five weeks to sell the film rights at the last minute. Head of Briarcliff Pictures Tom Ortenberg, who oversaw the best picture winner Spotlight, thinks The Apprentice will continue to grow and that its first weekend box office performance won’t determine its future.
Prior to the pandemic, independent distributors would typically start their Oscar contenders in New York and Los Angeles to generate buzz rather than going nationwide and running the risk of theaters closing down fast if a movie didn’t perform well. Since then, there have been fewer platform releases.
Similar to Briarcliff, Focus Features chose a national release date for their highly regarded animated biographical drama about Pharrell Williams, pc\. by pc\., an Oscar contender. The film, which received an excellent A CinemaScore, is making its theatrical debut this weekend in 1,865 locations and is predicted to take fourth place with an estimated $3 point 6 million, making it the best of the bunch in terms of awards.
Made in collaboration with LEGO, pc\. by pc\. outperformed Jason Reitman’s Oscar contender Saturday Night, which is a tribute to Lorne Michaels’ Saturday Night Live. Additionally, the movie was shown at Telluride, which is regarded as the birthplace of the Oscar movement.
After playing its first two weekends in a few select cities, including L.A., Saturday Night from Sony was released nationwide. 1. New York as well. The mostly positive movie received a B+ CinemaScore and is predicted to finish in seventh place with a modest $3.4 million from 2,309 theaters. The film has made $4,02 million in its home country.
Like Briarcliff, Sony thinks Saturday Night will get going.
A24 was one independent distributor that supported a platform release for one of its award contenders, and it proved to be beneficial. We Live in Time, a well-reviewed movie starring Andrew Garfield and Florence Pugh, directed by John Crowley, debuted in five theaters for a strong $45,182 per theater average, which was the best of the weekend.
This weekend’s box office revenue is expected to be at least 45 percent less than the same period last year, despite five weekends in a row of increases. Though the overall soft market isn’t helping, Joker: Folie à Deux’s failure is a significant factor. Additionally, Taylor Swift’s documentary Eras debuted the same weekend last year.
Happier news: The Nightmare Before Christmas, a Tim Burton cult classic, was rereleased by Disney for Halloween this year and grossed $2,033,335 from 2,204 theaters, placing it ahead of The Apprentice. Deadpool and Wolverine, the highly successful superhero movie from Disney and Marvel, surpassed Star Wars: The Last Jedi at the worldwide box office this past weekend, earning $1.335 billion in ticket sales (not accounting for inflation) to rank as the 20th highest-grossing Hollywood production ever. Furthermore, it is still in the U.S. even though it is now accessible at home through premium VOD. S. theaters and is poised to surpass Barbie in domestic box office revenue, becoming the 12th highest-grossing film in domestic history.
Oct. 13, 7.50 a.m. m. Added new estimates and an update.
October. 13, 8:40 a.m. m. Warner Bros. was updated. estimations.
October. 13, at 10:10 a.m. M. updated with new revenue figures.
It was first published in October of this year. 12 at nine forty-one minutes. me.
