The Golden Globes lavished awards on Emilia Pérez and The Brutalist last night, and while The Brutalist is currently almost impossible to watch, Emilia Perez is and has been easily accessible on Netflix since its release on November 1.
Here’s the plotline: “This odyssey follows the journey of four remarkable women in Mexico, each pursuing their own happiness.
Here’s how star Karla Sofía Gascón describes it: “You have an action movie that’s not an action movie, a drama that’s not a drama, a comedy that’s not a comedy,” lead actress Karla Sofía Gascón told Tudum.
The film has decidedly mixed reviews, a 76% critic score is not your usual average for a Best Picture contender (The Brutalist has a 93%).
But Emilia Pérez may be something totally different than you imagine it might be.
Last night, Emilia Pérez and The Brutalist received lavish Golden Globes awards. Although The Brutalist is currently nearly impossible to watch, Emilia Perez is and has been readily available on Netflix since its November 1 release.
After last night, it did not make it into the Netflix Top 10, but I have no doubt that some people are interested in seeing it. I simply believe that people might not fully comprehend what to anticipate here. This is the storyline.
This journey chronicles the pursuit of happiness by four exceptional women in Mexico. Rita (Zoe Saldaña), an underappreciated lawyer in a doomed career, is recruited by the formidable cartel leader Emilia (Karla Sofía Gascón) to help stage her death so that Emilia can at last live true to herself. “”.
The fact that it won Best Musical or Comedy for Best Picture might give you a hint, but the plot might not even suggest that this is a musical rather than a conventional crime thriller. The star Karla Sofía Gascón explains it this way.
“You have a comedy that isn’t a comedy, a drama that isn’t a drama, and an action movie that isn’t an action movie,” lead actress Karla Sofía Gascón informed Tudum. “I’m honored to be a part of this wonderful gift. “.”.
The film has been controversial in many ways, from its concept to its execution to its portrayal of Latino culture and trans issues at times. As a result, many have been surprised that it is receiving this many awards. The movie has received a 76 percent critic score, which is not the typical average for a Best Picture contender (The Brutalist received 93 percent). Its audience score of 60% suggests that while viewers may be generally positive, this is by no means the case.
It’s a strange situation because, despite the film’s apparent leaning toward progressive themes, some progressive media claim it achieves the exact opposite. This article from Vox discusses the representation of its trans lead and her usage.
Even with Audiard’s flimsy attempts to justify Emilia’s gender identity, the film mostly uses it as a disguise. The scenes where Emilia’s “mask” slips around her family are reminiscent of Tootsie or Mrs. Doubtfire. “”.
There have been similar kinds of disputes regarding the way its French director depicts Mexico.
The portrayal of Mexican culture by Emilia Pérez seems both lazy and regressive. Mexico is portrayed as an unavoidably violent and depressing country. In the meantime, a character’s Mexican identity is indicated by their guacamole and tequila scents. It appeared that little care was taken to ensure that the language used in the movie was understood. As a result, Gomez has been criticized. “.”.
The point is that this could be far more polarizing than the typical Best Picture nominee, a conflict between a film that tries to be inclusive and maybe isn’t doing so as well as it seems.
Since you can follow the story through its song and dance and reach your own conclusion, you are free to make up your own mind. However, Emilia Pérez might not be at all what you think she is.
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