As the festival winds down, there are 5 things we learned

Variety

The rosé still flowed, though not as freely, and it was easier to get a reservation at the Michelin-starred restaurants that are usually booked months in advance of the film festival.
There were still rooms to be had at the Hôtel du Cap, the posh resort where studio chiefs and movie stars typically stay.
Donna Langley, the chairman of NBCUniversal Studio Group, was blunt during a talk, noting that the domestic box office is down 20% and the global box office has suffered an even steeper decline from pre-pandemic levels.
As Cannes approaches its end, here are five takeaways from a festival that’s still struggling to achieve liftoff.
“Emilia Pérez” Hits All the Right Notes It really shouldn’t have worked.
But in Cannes, which is no stranger to political agitation, the situation in the Middle East went largely unacknowledged.
Omar Sy, a Cannes juror, posted a social media message shortly before the festival started, calling for a ceasefire in the region.
But in press conferences and public events, actors and filmmakers haven’t used their time at the microphone to address the conflict.

POSITIVE

So this is how saving money in Cannes looks.

It was easier to get a reservation at the Michelin-starred restaurants, which are typically booked months in advance of the film festival, and the rosé flowed, though not as freely. Hôtel du Cap, the upscale resort that usually accommodates movie stars and studio executives, still had rooms available. What’s most concerning is that deals are closing far more slowly, both for finished movies that had their Cannes premieres and packages that traveled to the Côte d’Azur in search of funding.

It is impossible to deny that the film industry has lost a great deal of its shine after two devastating labor strikes and Covid shutdowns, even in the glittering south of France. The head of NBCUniversal Studio Group, Donna Langley, gave a direct speech during which she stated that the global box office has declined even more from pre-pandemic levels, while the domestic box office has decreased by 20%. Langley stated, “We don’t really think we’re going to recapture that.”.

Here are five lessons learned from a festival that’s still having trouble taking off as Cannes draws to a close.

Hollywood Motion Pictures Are Not Enough to Spark Passion.

Organizers of Cannes privately acknowledged that they had limited options for big studio films to highlight due to production delays caused by the strikes of actors and writers, even before the festival unveiled its slate of premieres. The return of George Miller was “Furiosa: A Mad Max Saga,” but while the Warner Bros. release was met with polite reception; unlike “Mad Max: Fury Road,” which made its debut nine years ago, it failed to electrify the Palais. With “Kinds of Kindness,” Yorgos Lanthimos gave a diminishing return to his earlier, more edgy style. The anthology film, which lasted for almost three hours, divided critics; some called its biting critique of human nature brilliant, while others called it bloated. It’s probably not a good idea for Searchlight Pictures, which brought Lanthimos productions like “Poor Things” and “The Favourite” to the Oscars, to make a second trip to the Dolby. Additionally, Kevin Costner’s two-part epic “Horizon: An American Saga” received a nine-minute standing ovation but did not receive the favorable reviews necessary to draw audiences to the multiplexes.

“Emilia Pérez” Strikes Every Note Perfectly.

It was never supposed to work. Nevertheless, Jacques Audiard, a gritty French director with no background in song-and-dance, has made a Spanish-language musical drama about a Mexican cartel leader who wants to have gender-affirming surgery, and it’s the talk of Cannes. “Emilia Pérez,” starring Selena Gomez and Zoe Saldaña in their career-best roles, and Karla Sofía Gascón in a breakthrough role, appears destined to win a major U.S. award. S. deal (as of press time, all the usual suspects were circling the movie) and might be a big winner come awards season.

Politics is pushed aside.

On American college campuses, demonstrations against Gaza’s humanitarian crisis are breaking out. s. and are now frequently observed in cities all over the world. However, the Middle East crisis was mostly ignored in Cannes, a city no stranger to political unrest. A handful of them were an exception. Laura Blajman-Kadar, who survived the October 11th attacks, was seen on the red carpet. 7 attacks, a few performers wore pro-Palestinian pins, and a yellow dress featured pictures of Israeli hostages still in detention with a sash that read, “Bring them home.”. A few days prior to the start of the festival, juror Omar Sy called for a ceasefire in the area in a social media post. However, actors and filmmakers haven’t addressed the conflict during their microphone time at press conferences and public events.

MeToo Arrives at Cannes.

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